The Industrial Revolution brought widespread change to the
landscape and to society. The shift from anagricultural to
an industrial economy created a new class of low-wage workers in European
and American cities.The Industrial Revolution eroded agrarian society.
People moved into cities to supply the labor force required byfactories.
Urban populations swelled, causing concern for public welfare.Social reformers
lobbied to improve the living conditions of the urban poor by providing
public parks. Theaesthetic language of the English landscape garden was adopted
as a model for the parks, and persists in theWestern imagination as an
icon of nature. The physical and social structures that have come to defi
ne city lifetook shape in the 19th century.The Romantic sentiment of the 19th
century contributed to a conception of nature as being restorative.
Peopleunderstood the political, economic and social value of
the landscape, and campaigned to access its benefits.The unquestioned
belief in technology prompted a backlash: Romanticism became the antidote
to the ills ofmechanized society. For the middle class, emotion
triumphed over reason, imagination was prized more thancultivated
scholarship, and nature was elevated as the source of inspiration. Society
believed sensitivity tonatural phenomena and appreciation of natural beauty to
be morally and spiritually uplifting.
The 19th-century landscape was urban, public, and
Romantic.The landscape garden style, so popular in the
18th century, became less feasible in the changed
economiccircumstances of the 19th century. Large estates were expensive to
maintain, and many property owners had tosell or split their estates into
smaller units for development. Panoramic views were curtailed. Attention
shifted from the scale of the wider landscape to the scale of the
individual plant.The development of the glasshouse, and the proliferation of
gardening literature all made gardening accessibleand fashionable with the middle
class.Essentially miniature greenhouses, enabled live specimens rather than
seeds to be transported from China,India, and North America, dramatically
increasing the number of plants available to the trade.Small glasshouses
were marketed to homeowners who were eager to include tender plants
in their gardens.Horticultural industries prospered from the
middle-class zeal for flower and vegetable gardens.In addition to new
technologies geared to the management of more modest-sized properties,
numerousperiodicals and magazines were devoted to small-scale gardening. Garden
writers focused on botany ratherthan aesthetic theory. The inexpensive
publications were eagerly read by the new class of homeowners
Based on the
reading and understanding of landscape as an architectural substance,
architects worldwide tend to create buildings similar to what they’ve seen
before, that in the from of an inspiration, and other times being really
forward with their choices. Here are some examples on how that escalates.
1. Somerset House Courtyard

2.
Highline Park
New York
Manhattan’s Highline Park is an exercise in
eco-friendly urban reclamation, the rescue of an abandoned raised freight line
for the common good of the city. After traffic through these raised rails
ceased in the 1980s, the line sat abandoned waiting for demolition. The
neighborhood of Manhattan’s west side rallied to save the raised line to create
a public park with a green roof as an escape to the busy pace of the streets
below. James Corner Field Operations and Diller Scofidio + Renfro
cooperated to turn this aging eye sore into a green place of peace for
Manhattan residents. The resulting park stretches across nine city
blocks, featuring a contemporary design that fits well with the forward
thinking people it was built to serve. Highline Park is a prime example
of the old adage that “one man’s trash is another man’s treasure”.
3.
Vulcano Buono
Nola Italy

4.
Tree Museum
of Zurich Switzerland

5.
Crosswaters
Ecolodge, Guangdong Province, China

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